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lilacs courtesy of Tamra J. Parker of Tam's Think Tank
after two years, our baby lilac blooms again in a mass of changing purples.i am become all sweetnessi sigh with flowersa slow push of huespurple seeks lilacsdeep and full of fruitslowly color fades to scentso like these lilacsi am deep and darkwarm light gathers to softnessflood the air with scent!i lose consciousnessto all but blooming lilacs
Recorded with Ron a few years ago and resurrected with a magic widget... :>>)) I want to do more, and hope to get working on that...
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Ooooh, so tired.
No matter how much sleep
I get, it's always the
same bald sense of fatigue.
The cat won't wake up
under the umbrella of curtain.She lies all day, barely turning,
then with hardly a cat stretch of
arm, she gracefully slides
from sill to side table
to floor to mosey over to
her kibble dish, then back to
her perch to sun herself in thegraying light of a rainy
spring morning.I'm hardened into this couch
like someone broke by madness.
I've broken the clock and the
bank of all the minutes I've
wasted lying here in this dark
room with a tv drone and a
time bomb to help meremember my pills.
Not even wanting to hear
your footfall on the stair,
for you to come home from
the piano lessons you give to
hyperactive children and
fascinating men and women,
to attend to me with food
and drink and a little bit of
talk before you must take
your daily nap.
I'd rather be alone likethis princess kitty who
bristles at my hand, who
jerks awake with peeping
eyes and stiffened back,
and I look at her and say,
"Sorry, darling, I was
feeling a little guilty."
(Perhaps how you feel
when you must attend to
your own needs.)
Then I lay back down,
assume the position, and
wistfully, irritably, uncomfortablyfall into the arms of Morphée.
photo is public domaine from the u.s. department of defense
Memorial Day, 2009
from the time they came
these bloodless soldiers
nothing was ever the same
greed starts wars and kills
à table drinking their fill
we lost our children
haliburton first
then a vast global empire
drank iraqi blood
iraq is undone
women weeping blood for years
lost generation
do not turn away!
it is our home and our blood
help us to rebuild
go to Iraq Haiku Series II: American Soldier here
here at this check point
i stop each car with raised gun
women and children
i can't speak the tongue
what the hell does this man want?
he's waving his arms
we get tips at night
of terrorist insurgents
take no prisoners!
we put hoods on them
to keep them quiet, i scream
shut up and listen!
stop i said stop stop!
but none of them understood
i had no options
second iraq deployment
where else would i go?
what else do i know?
you get used to it:
four thousand brothers have died
i must stop whining
go to Iraq Haiku Series III: Female Soldier here
why won't he leave me
always there licking his lipslike an animali wanted to serve
am i just a vagina?
am i just a girl?
who will save me nowthat i'm meat for the slaughter?
who will watch my back?i ought to report
how he stalks me everywhere
yet i'm too afraid
he's got lots of friends
they laugh when i walk past themcaptain, will you care?
captain, my captaini don't feel safe anymore
i'm in two war zones
go to Iraq Haiku Series IV: Refugee here
i am in jordan
but i am not jordanian
rights are limited
there are but six left
my husband is dead
so are his and my parents
my children buy bread
they beg on the road
i'm afraid to leave this room
it is i and five
and each one hungry
today i will try harder
i will wait in line
with ten thousand iraqis
and ask them nicely
other young widows
line the marketplace
we hope for coins, in'sh allah
i want to go home
to my relatives
still scattered like desert palms
i am alive but
i just want to die
to lie beside my husband
it is night in Amman
a cool noiseless breeze
blows through cut-out windows
maybe there is hope
perhaps a letter
comes from loved ones in basra
i will wait and watch
soon we will return
i have promised my children
go to Iraq Haiku Series V: Child Martyr here
i am floating nowabove the wreckagei am free to come and go
mother is at home
she is making our couscousshe breathes in its steam
sister is sewinga tattered pant's cuff
from my brother's hand-me-downs
i am the baby
the one coddled tight
the light in everyone's heartmountains rise and rivers flowcities are spilling
with cars and peoplei do not feel pain
as i float past you
i am beyond all pain now
my white-red garmentsfall down to the ground
i am a naked angel
my mother adds salt
and raisins to the couscoussister is singing
brother runs to meor what was once mebut i'm free to come and go
i bend my two armsinto a breaststrokei dive headlong into sky
pure iraqi sky
where prayers rise up
like the sweet steam of couscous
go to Iraqi Haiku Series I: Iraqi here
pour ron walker, le dernier homme de ma vie
mon homme, je le déteste quand
nous parlons de la mort
je ne veux pas aller par là
penser à notre départ parce que
ma vie ne vaudrait rien sans la vôtre
qui a compris des belles choses,
trop à énumérer, sans parler
du visage que j'aimais tant
et vos boites pleines débordantes
de toutes vos créations qui me parlent:
les articles que tu coupais chaque jour
du journal sur les transports et les ponts
les ports et l'Astoria que tu adorais
avec ses bateaux de pêche roulants sur
la grande fleuve columbia et puis calme
sans aucun mouvement, des mouettes criants
en sillonant dans le ciel gris-noir foncé
mais tu n'étais jamais triste quand il pleuvais
même à Paris quand nous voyagions
à la mauvaise saison
tes disques durs pleins de jouets à acheter
tu étais toujours enthousiaste pour la jeunesse
tes avions de bois que tu as donnés au petit fils
mais tu as gardé tous les trains et leurs rails
pour le petit village que tu ne rêvais que de construire
et les voitures anciennes, vielles dames américaines
et les deux-chevaux citroën, les deuch que tu aimais
dans l'époque à Paris avec la sombre petite amie
ton premier amour dans les années soixante-dix
et à Barcelone tu es tombé amoureux d'Europe
mais tu perdais ta jeunesse en face la traître de
ton propre cœur car tu as choisit une autre femme
puis regrettais ton choix mais trop tard, mon vieux
tu as appris un tas de choses dans cette aventure
et avec moi tu as pu retrouver ta jeunesse
et ces trains qui s'en sont allés
et ces trains qui reviennent
tant de cartes-mémoire pleins de musique
dont je ne sais absolument pas comment écouter ou
sur quelle machine de ton techno génie
car tu suivais chaque innovation comme si c'était
la première fois sur ton premier instrument
mais je pourrais entendre toutes tes chansons
si je fermais les yeux en silence
le silence que tu cherchais toujours
mais qui t'échappait à cause de l'acouphène
comme tu souffrais de cela, en voyant
tous tes jolis sons deviennent des fracas!
mais tu n'arrêtais jamais de composer et
peut-être c'était ça qui t'a sauvé à la fin
j'ai joué de ta musique un jour dans
les corridors du congrès dans la capitale
beaucoup de gens m'approchaient, demandant
"quelle est cette belle musique?"
et j'ai parlé de toi et de ton talent pendant
des heures et il y a une joie dans
cet immeuble orné de l'or sans que
personne ne comprennent de quoi qu'il s'agit
c'étais de toi, mon amour, et je me suis demandé
pourquoi tu n'es jamais devenu célèbre
puisque, oui, il y avait un temps où tu avait été
mais que tu l'évitais après ce temps car
tu n'aimais ni l'ego ni le jazz comme ça
et puis tes photos prises
à toutes les saisons, tu as eu d'elles
des extases et des blessures sans limites
que la vie te donnait en essayant de
comprendre chaque facette, chaque geste
et tes vidéos et pellicules en 16mm
des diapos, de carton en carton
de toutes les jeunes années
et de toutes tes petites jolies femmes
toi si beau et si mince comme tu étais
le jour ensoleillé de l'été où
j'ai fait ta connaissance, presque sage
presque garçon, avec ta grosse moustache
que tu as coupé car elle pinçais mes lèvres
tu étais toujours gentil et patient
avec moi la rock star qui
ne pouvait pas m'arêter de parler
ou de pleurer ma mauvaise chance
mais tu m'as dit, "mais si, c'est vrai"
et tu m'as emmenée vers la guérison, toi
et tes fortes bras qui me tenaient quand
j'étais trop brisée pour me soutenir
tu me berçais dans la nuit
quand mes larmes coulaient d'acide
jusqu'à ce qu'elles se gêlent enfin
et que je m'arrête de pleurer
sauf qu'un autre pleure
tu m'as appris à écouter, et tes léçons
ont fait de moi ce que je n'avais jamais espéré
je pouvait croire dans la constance des étoiles
je dirais plus tard à quelqu'un, "tu peux savoir
que demain est un autre jour, et que chaque pas
que tu fait pour comprendre le soi
te fait grandir plus que tu le saches
et l'amour va venir juste pour toi, c'est sûr
après que vous serez parti,
je ne verrai qu'une montagne de ton oeuvre
au sommet de laquelle je me serais assise
et je crois que je ne bougerai plus
car bouger s'annonce quelque chose de vivant
et après que vous serez parti, il n'y aura plus de ça
il n'y aura qu'un énorme bouché funéraire
et moi à l'intérieur: mais non
il n'y aura pas de feu non plus
car il me faudra vous livrer au monde
qui en aura, comme moi auparavant, tant de besoin
et vos boites pleines de jolies choses
trop à énumerer, pour comprendre
quelque chose qui ne mourira pas
for ron w., the last man in my lifemy man, i hate it whenwe talk about deathi don't want to go thereto think about our leaving becausemy life would be worth nothing without yourscomprised of so many beautiful things
too many to enumerate, without speaking of
the face i loved so much
and your boxes full to overflowingwith all your creations that speak to me:the articles you cut out everydayfrom the newspaper about transportation and bridgesports and the Astoria that you adoredwith its fishing boats rolling onthe great river Columbia, and then calmwithout any movement, the seagulls cryingcircling the cloudy sky of deep gray-blackbut you were never sad when it rainedeven in Paris when we traveled in the bad seasonyour hard drives full of toys to buyyou were always an enthousiast for childhoodyour wooden planes you passed along to our grandsonbut you had to keep all the trains and their railsfor the little village that you only dreamed of buildingand the classic cars, old American Damesor the Citroën 2cv that you lovedfrom your time in Paris with Marla
your first love back in the 70sand in Barcelona you fell in love with Europebut you lost your youth in the face of the traitor ofyour heart when you chose another womanthen regretted your choice but too late, old manyou learned a lot of things during that adventureand with me you were able to find your youth again
and the trains that went away
and the trains that come backso many memory cards full of musicwhich i have no idea how to play oron which machine of your techno geniusbecause you followed each innovation as if it werethe first time on your first instrumentbut i would be able to hear all your songsif i were to close my eyes in silencethe silence that you always sought inin nature on the banks of the riverbut that escaped you later due to tinnitushow you suffered from that, in seeingyour pretty sounds become prickly things!but you never stopped composing and perhapsit was that which saved you in the endi played your music one day inthe corridors of congress in the capitalmany people approached me, asking"what is that beautiful music?"and i spoke of you and your talent forhours and there was a joy inthat building decorated with gold withoutanyone understanding what it denoted:it was you, i asked myself
why you had never become famousand then, that there was i time when you were
but that you avoided it now becauseyou didn't like ego and jazz like thatand then your photos takenin all the seasons, you hadecstasies and wounds thatthat life gave you as you tried tounderstand each facet, each gestureand your videos and 16mm film cansslides, box on boxof all the young yearsand all your petite womenand you so beautiful and thin like you werethat beautiful day of summer whenwhen i made your acquaintancealmost boy, with your fat mustachethat you cut because it pinched my lipsyou were always kind and gentlewith me the rock star who could never stop talking
or crying about my bad luckand you said, "but yes, it was true"and lead me toward healing, youand your strong arms that held me wheni was too broken to support myselfyou rocked me in the night
when my tears flowed acid
until at last they frozeand i stopped crying
except someone else cryyou taught me to listen and your lessonsmade of me what i could never hopei could believe in the constancy of the starsi would say later to someone, "you can believethat tomorrow is another day and
each step you take to instruct yourselfmakes you grow more than you knowand love is going to come just for you, for sure"after you will be gone
i will see only a mountain of your work
at the summit of which i will be sitting,
and i believe i will not move anymorebecause to move denotes something livingand after you will be gone, there will be no more of thatthere will be only an enormous funeral pyreand me at the interior: but no
there will be no fire eitherbecause i will have to deliver you to the worldthat will, like me before, have need of you
and your teeming boxes of pretty thingstoo many to enumerate
I was very pleased to be one of the poets featured in an article about poetry opportunities on Oregon's north coast (including SW Washington) in this week's "Coast Weekend", a weekly insert of the Daily Astorian newspaper, written by Kathy Hightower of the Manzanita Writers series. She included one of my older poems in French, "Prière", with translation and my blog address, amazing! Congratulations also to Laura Ann Brooks, a new member of the pre-Simulationism website, who was also featured with a great poem and who facilitates our Wednesday poetry workshops in Astoria.http://coastweekend.com/main.asp?SectionID=2&SubSectionID=2&ArticleID=42322&TM=66631.41
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pour Alain
(glossary below)
the moon is cut in half in
that fat blue-gray of sky before
all the light goes out of it
that line in-between dusk and
darkness: the sky does not open
up at all like they promised
no rent in heaven but the sound
of a torrent on tin that fills me
with deepening sadness
and your music in my head doesn't
help me anymore, belovèd one,
now that you are gone, now that i
feel your absence everywhere i go
that you won't be opening le cirque royale
tonight or l'olympia tomorrow, not
moving from hospital gown to leather
outfit to close out the night with
"malaxe, malaxe, le coeur de l'automat...
malaxe, le thorax", flashing your
modest smile, trenchcoat at your side
i don't know what to do with it
not sure what it means at all now
that you're gone and i'm alone, stuck
on this planet with my fucking pain
and no one to share it with, not like
i shared it with you, my brother, when
curled in my bed, i shed those grosses
larmes to your chansons and sullied
my sheets with the strange desire for
even more of them, never enough
to get at the rot of this existence
who will i share it with, who will
understand, and who will care
now that you are buried in
le père with your amis and your
admirateurs and your voix profonde
and if i try to be strong, will you
be there in my rêverie, will you
grasp at the words that flow from
my mouth when it is moi, le poète?
will you make them sing, will
i channel you at last maintenant
que tu sois cendres?
i can't stand the sound of this
rain on my roof, i detest the
noise from the tv set and
all the crap that falls down
around me when i am stretched
between light and darkness
and i ask, how could you have
left when i'm still this messed-up
femme with half a heart and a
pain condition that never stops?
tu me manques entre lumière
et les ténèbres de mon lit, entre
les chansons qui ne s'arretent pas
même sans toi, même sans toi
Glossary of French terms
tu me manques entre - i miss you between
le cirque royale - concert hall in Brussels, Belgium where Alain Bashung opened his concert tours
l'olympia - very famous concert hall in Paris where Bashung closed his concert tours
"malaxe, malaxe, le coeur de l'automat.../ malaxe, le thorax" - from the song "Malaxe" by Bashung: "knead, knead, the heart of the automatic, knead, the thorax"
grosses larmes - fat tears
chansons - songs
le père - -Père-Lachaise cemetery in Paris where Bashung is laid to rest among other celebrated artists and is especially near the graves to Edith Piaf and Jim Morrison
amis - friends
admirateurs - admirers
ta voix profonde - your deep voice
moi, le poète - I, the poet
maintenant/ que tu sois cendres - now that you are ashes
femme - woman
tu me manques entre lumière/ et les ténèbres de mon lit, entre/ les chansons qui ne s'arretent pas/ même sans toi, même sans toi - i am missing you between light/ and the darkness of my bed/ the songs that don't stop/ even without you, even without you